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Adding Reverb To Your Drums in Logic Pro X. 

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Pro Video Go Pro. Go Pro. Related Videos. For example: Create a new track below the drummer and assign another drum plugin and kit. Then you can mute the drummer track completely, and the new drum plugin that you dragged the alias region to, will still play the performance based on the drummer region.

When checking this checkbox, you can choose which track inside your project the drummer will be influenced by, when creating its performance. However, it is not always working as expected, so you might want to double check. Also, if you change the track it follows, you need to refresh the drummer region, to make it update its performance accordingly. Now, as with almost anything inside the drummer track, this feature is also region based.

So you can have one drummer region be influenced by your bass track, and the next region by perhaps an ostinato strings track. One of my personal favorite ways of using the drummer in Logic Pro X, is not to create complete drum performances. For example: I can use the drummer for adding fills to my epic cinematic toms. Or spicing up the high-end with stick hits on my Taikos, by using the hi-hat performance from the Drummer track, and so on.

Basically: I choose the drum part s from the kit, to create the percussion performance from. Then I choose the drummer, the style, shape the performance, and then I drag and drop the created region to the track I want to use it on. Transitions and fills are so important in music, for adding that spark of change and anticipation, for something new that you will introduce in the next section of your track. That is why I often use a 1 bar drummer region to help me get a starting point for a fill or transition, that I can then option-drag to one or several percussion tracks in my composition.

Then I can go into each of the copied regions and make some customizations to fit my specific needs. But the point is that I get a great starting point, which cuts down the time dramatically. And I love features that make my composition workflow more efficient! Feel free to Bookmark this Page for future reference! Shape the Style per Region Beat Presets You can even use independent beat presets for the drummer on each region inside the drummer track.

You can think of it like setting the ceiling. When the track level reaches above this ceiling the threshold , the compressor will engage and compress or turn down the audio. The ratio control tells the compressor how much to compress the signal above that level. This is expressed as a ratio such as , etc. The higher the ratio, the more the compressor reacts. At a ratio of , our dB signal will be compressed to dB the difference between the threshold [db] and the signal level [dB] divided by 2.

The attack and release controls determine how fast the compressor kicks in when a signal passes the threshold attack , and how quickly the compressor disengages after the signal falls back below the threshold release.

These two controls affect how much compression is applied, for how long, and greatly contribute to the sonic quality of the compression. Sometimes labelled make up gain, this control is used to match the compressed and uncompressed signal levels. Because compressors often make things sound louder, it can be difficult to compare and accurately gauge the effect of a compressor when switching between the affected and unaffected signal.

Because the human ear naturally favours louder signals , the louder, compressed track often sounds better by comparison. Use the make up control to ensure the levels are consistent so you can judge the effect of compression more accurately.

Compression is best used to control overly dynamic instruments, for example, an inconsistent vocal recording. Use the loop control in Logic to select a section of vocals, and open up the compressor plugin. Start with a modest ratio of is generally seen as the middle ground in compression ratios. Roll back the threshold control until the compressor starts engaging when the loud vocals kick in. The goal here is to allow the compressor to kick into gear only when the vocals get too loud, not at all times.

That said, you may want to apply a little compression to the vocal tracks e. If the compressor is acting on vocal transients too slowly, make the attack quicker. Experiment with different attack, release, threshold, and ratio settings until you find the perfect setting.

Logic, being Logic, has tonnes of built in effects that you can use to spice up your tracks, add some depth and interest, and make your productions sound just like the pros do. Imagine a ball of blue light directly in front of you. The horizontal field left to right , is controlled by pan. Whereas the vertical up and down , represents frequency, which is dependent on the type of instrument bass guitar vs violin for example , as well as any equalization applied.

The volume or level controlled by the fader as well as compression , is represented by the light becoming brighter or duller. This is controlled using reverb.

By using all four fields or spectrums stereo, dynamic, frequency and depth , you can give each instrument its own space in a mix, meaning every track can be heard clearly. Before the world of plugins, and even before outboard hardware effects, reverb was literally created in a physical space. For example, if you wanted a big chamber sound on a choir, you had to record the choir in a big chamber! Obviously this is incredibly inconvenient, so sound engineers quickly figured out how to emulate this effect using springs and plates.

Predelay The predelay parameters control the amount of time in milliseconds between the dry signal and the first reflection. Whether you program drum patterns from scratch or use Drummer to create complete rhythm tracks in seconds, the sonic dexterity of Drum Kit.

Designer forms the backbone of realistic acoustic drums in Logic Pro X. On the surface, Drum Kit Designer seems like a relatively straightforward instrument plug-in, although once you factor in some of the multi-output options more on this in a minute and the wealth of audio plug-ins in Logic, the sonic possibilities become almost limitless. Easily the most important parameter is Tune, which lets you raise or lower the pitch of the drum — making a snare crisper with a higher tuning, for example, or a kick drum flabbier with lower tuning.

You can select this mode when you first load up the instrument, rather than picking the CPU and RAM-light Stereo mode which is what a new Drummer track defaults to.

In Multi Output mode, you get significantly more drum kit elements to play with and, more importantly, access to individual faders for each part of the kit — and the all-important room mics.